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Hoch is most famous for her works dating from the Weimar years, most notably 1919's 'Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany,' which critiqued Weimar Germany.Sophie Taeuber-Arp was a Swiss artist, painter, sculptor, and dancer who is considered to be one of the most important artists of geometric abstraction of the twentieth century.“Production, packaging, and shipping costs limited how often we could release software.We had to package updates for periodic shipments, but that made it hard to meet our customers’ changing needs.Arp was married to Jean Arp, the major Dada artist, and the two worked together until her early death.

Sustained regular practice, studies show, cultivates attention, emotion regulation, and compassion, as well as reducing effects of chronic pain, anxiety, and depression.Anna Munster 69-94 Icon Icon Aden Evens 95-117 Edgy Colour: Digital Colour in Experimental Film and Video Simon Payne 118-140 “Still Life” de Jia Zhangke: Les temps de la rencontre Erik Bordeleau 141-163 To Dance Life: On Veridiana Zurita’s “Das Partes for Video” Rick Dolphijn 164-182 Jazz And Emergence (Part One) - From Calculus to Cage, and from Charlie Parker to Ornette Coleman: Complexity and the Aesthetics and Politics of Emergent Form in Jazz Martin E.Rosenberg 183-277 History through the Middle: Between Macro and Mesopolitics - an Interview with Isabelle Stengers with Isabelle Stengers, Erin Manning, and Brian Massumi 183-275 Non-NODE non-TANGENT: No.The current predominate form in the United States is mindful meditation.As coined by Jon Kabat Zinn, “Mindfulness is paying attention, on purpose, to the present moment, non-judgmentally.” This implies meditation in some form.: Constructing the Architectural Body Helene Frichot112–124 Tentatively Constructing Images: The Dynamism of Piet Mondrian's Paintings Troy Rhoades125–153 Evidence Architectural Body by Accident, Destiny Reversed by Design Blair Solovy 154-168 Breathing the Walls James Cunningham169–188 Technology and the Body Public Stephen Read189-213 Bioscleave: Shaping our Biological Niches Stanley Shostak214-224 Arakawa and Gins: The Organism-Person-Environment Process Eugene Gendlin225-236 An Arakawa and Gins Experimental Teaching Space – A Feasibility Study Jondi Keane237–252 The Mechanism of Meaning: A Pedagogical Skecthbook Gordon Bearn253–269 Wayfinding through Landing Sites and Architectural Bodies: Exploring the Roles of Trajectoriness, Affectivatoriness, and Imaging Along Reuben Baron 270-285 Trajectory of ARAKAWA Shusaku: from Kan-Oké (Coffin) to the Reversible Destiny Lofts Fumi Tsukahara286-297 A Snailspace Tom Conley298–316 Made/line Gins or Arakawa in Trans-e-lation Marie Dominique Garnier317–339 The Dance of Attention Erin Manning340–367 What Counts as Language in a Closely Argued Built-Discourse?

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